Copyright © Karl-Erik Sveiby 1997. Extract from The New Organisational Wealth - Managing and Measuring Knowledge-Based Assets, Berrett-Koehler 1997.
Companies
consisting largely of skilled
professionals
who use their creativity to
solve complex problems for their customers, operate in a special way that
reflects the forces which influence and control such organizations, and which
the management must be learn
to
deal with.
These same forces act in all organizations that employ highly skilled people, and their strength increases, the closer one gets to the archetype of the knowledge organization , the consultant firm. Such firms function in similar ways regardless of whether they´re in the public or private sector.
Many
putative “leaders
”
fondly imagine they are running their organizations when all they are doing is
allowing them to run themselves. They do not understand the power
play
at work and are measuring the wrong things.
As
mentioned in the chapter Two Traditions: Professional and organizational
,
the power
play
generally takes the form of representatives for two knowledge traditions
competing with each other.
Figure 12 . The four personnel categories in knowledge organizations .
This
chapter discusses the four "players" in the organizational
power games;
the professional,
the manager
,
the support staff,
and the leader.
Let us look at the agendas of each of them in turn, beginning with the star
player.
The professionals are the specialists, the authorities, or whatever they are called. If you happen to meet the elite professionals, the experts, you can´t miss them. . . They are the knowledge workers - in extreme.
. . .One strolls in past the reception desk in the morning without giving the receptionist a glance, because he does not remember her name. He walks, not to his own office, but into that of the top professional .
A lively debate ensues. There is much laughter, a quick foray to the kitchen for cups of coffee, the door closes, more loud voices, more volleys of laughter, someone rushes out, grabs a document, and rushes back. Lots of activity on the other side of the door.
The receptionist gazes sadly at the closed door and sighs. "A normal morning" she thinks. "Everyone having fun, except me."
The expert and his mentor emerge, sharing a broad grin. They have just solved an important problem for a customer. It was that problem which had been occupying the professional ´s mind, when he walked through the door that morning. He had been thinking about it all night; didn´t get a wink of sleep. The answer had come to him in the morning. That was why he ignored the receptionist. He was totally preoccupied with the problem and his elegant solution. Nothing else mattered, except what his colleague thought of the idea, and whether or not he held the last pieces needed to complete the puzzle.
You concentrate so hard when you get out on the rink, it´s as if you had a wall around you. You don´t think about the spectators, just about what you´ve got to do. (Thomas Gradin, ice-hockey player in NHL)
Experts
focus on their jobs and their professions
.
Everything else is subordinated to the task at hand; finding a solution to the
problem. On another day, our ill-mannered expert
might
not have come to the office at all, because the answer to his problem would
have lain outside the company, with a friend in another firm, in a library, or
maybe at home, in a couple of hours” contemplation, or interfacing with his
PC.
Naturally
he forgets to call the office to say he will not be coming in. So the
receptionist who takes his calls, does not know what to say. And our expert
receives
lots of calls, for he is widely respected outside the firm. When customers
call, it is him they want to talk to, not the CEO. He is in demand as a
speaker at symposia, and has contacts with professional
colleagues
all over the world.
In
short, our stereotype expert
is
a leading light in his profession
and
a highly intelligent, and creative
person.
But he is hopeless at planning his time, lacks even a smidgen of
administrative ability
,
has no sense of time and place, is rude to those he regards as ignorant, and
sometimes his supreme self-assurance comes over as sheer arrogance, like for
example when the head of the accounting department asks him about the holiday
rota, or his chargeable time for the past week.
"It
isn´t the time the job takes that matters"
he snarls, "it is the result!"
He is blithely unaware of the frustration he causes in those around him, when
he ignores matters crucial to proper functioning of the organization.
Self-assured,
skilled
professionals
can be found in all walks of life; lawyers, police officers, physicians
,
art directors, architects, strategy consultants, computer programmers, cost
accountants
,
electronic engineers
.
And they´re equally common in craft trades, many of whose practitioners enjoy
the status of respected experts on plumbing, painting, carpentry, etc..
They
tend to organize themselves in professional
associations,
like the Law Society, the Society of Chartered Accountants, etc., and to see
themselves as upholders of the law, or guardians of freedom, or the language
,
with a duty to protect the profession
from
attack, and to maintain standards of professional ethics.
And professions subdivide themselves. The medical profession , for example, includes hundreds of different specialists. This often results in heated territorial disputes, and battles to secure resources for their own specialist areas. One of the least attractive habits of these professional bodies is their constant effort to restrict recruitment to their own fields, in order to preserve their scarcity. They have been doing it since the medieval guilds (from which unions and professional associations both evolved) complained, in the language of the time, about “cowboy” operators.
The
behavior of experts is so familiar and natural that even those who are not
experts, copy it. A survey of physicians
in
England found medical students start acting like "doctors" as soon
as their applications for medical school are accepted!
What
a professional
enjoys
most is getting to grips with a thorny problem, whether it be an intricate
electrical wiring system
,
a sophisticated roofing structure, a complicated process
of
reorganization, a challenging problem of communications, or a difficult
diagnosis. What he or she enjoys least is solving a problem the same way as
last time.
In
their constant efforts to escape the drudgery of routine
,
professionals surround themselves with assistants. In the research laboratory,
for example, "test-tube shaking" is delegated to the “lower”
occupational category of laboratory technician, and it goes without saying
that "senior" research scientists
,
consultants and law firm partners all need secretaries.
Professionals
are endlessly ingenious in finding rational arguments for this kind of
vertical division of labor: assistants are cheaper, they leave professionals
free to concentrate on more vital tasks etc.. The problem is, this stratifies
the organization, causing needless conflicts.
Furthermore,
the assistants require direction and if there is anything professionals are
bad at, it is managing other people, so this just creates another source of
potential conflict. As a result the modest gains of delegation are invariably
consumed by energy-intensive conflicts of interest and administration.
Experts
like:
·complex
problems,
·new advances in
their profession
,
·freedom to seek
solutions,
·well equipped
and funded laboratories,
·public
recognition of their achievements.
Experts
dislike:
·rules that
limit their individual freedom,
·routine work,
·bureaucracy
(which
they see everywhere).
Experts
care little about:
·pay,
·time off,
·the
organization that employs them,
·people who are
ignorant about their specialization.
Experts
can seldom:
·work through
other people,
·lead an
organization.
Experts
admire:
·people more
expert
than
themselves.
Experts
despise:
·power
-oriented
people (i.e. traditional bosses).
But
although this caricature of the expert
is
mercifully rare in real life most display some of these characteristics, so it
is essential for leaders
of
companies who employ professionals to be on the look out for them. For it is
those professionals, with their distinctive qualities and motivation, who
determine how a company dominated by professionals or creative
people
will behave, when it lacks the right kind of leadership.
I define managers as people appointed by superiors to lead an organization towards a defined goal, within a given frame of reference and with given resources. There role is constrained within parameters defined by a higher authority.
Managers
are, in many ways, the opposite of professionals as I have used the term in
this book. While professionals work solely with customers using their
professional
competence
,
managers
oversee
the work of others They are capable of managing and organizing
,
and have learned to work through people, and enjoy working with different
sorts of people. (As we have seen, professionals enjoy working with other
professionals). Their main task is to lead activities, with the help of others
and they are often functional heads.
Managers
work through other people, as
opposed to professionals who work with
other people.
The
team
manager
or
project manager role is a very important one in knowledge organizations
,
but there are few dedicated team managers with no expert role
at all. Managers
tend to regard
their leadership role as ancillary to their professional
function,
mostly as leaders
of
teams of professionals.
Traditional industry managers run functional departments, sections or groups. You find them everywhere in industry and the civil service but in knowledge organizations, people who are simply functional managers, are relatively scarce.
This playing down of the functional manager role is a fundamental difference between the traditional manufacturing company and the knowledge organization.
For
example, the financial controller
of
a knowledge organization
tends
to be the only member of his or her profession
in
the place, and thus has no fellow-professionals to share thoughts with. In
private sector knowledge organizations, moreover, they are often the only
upholders of "law and order", which means they are frequently coming
into conflict with the professionals.
In
leaderless
knowledge
organizations
the
accounting function gets a low status and the controllers tend to be isolated
downwards because of their police function and ignored upwards because their
methodology is based on the manufacturing company and only measures the “tip
of the iceberg”.
They
know little about advertising,
law, computer programming or architecture
and
the professionals know little about performance measuring or administration,
and care even less, because they are totally focused on their own professions.
Although they live on fees charged for their services, many professionals fail
to see why they should bother filling in forms to bill customers or draw their
holiday pay.
Controllers
and experts seldom have much serious “shop” to talk about; the dialogue
risks being reduced to holiday rosters, time sheets, etc.., which is scarcely
an auspicious beginning to a mutually meaningful dialogue.
The
only option open to a controller
In
leaderless
knowledge
organizations
that
are totally dominated by the values of the experts, is often to leave the
company and go to work for a larger industrial organization.
The support staff are the book-keepers, personal assistants, secretaries, receptionists, and switch-board operators. They know little about advertising , law, architecture (or whatever the object of the organization´s business idea is), compared to the professionals. Their function is to assist the professionals and managers . They have no special qualifications of their own to give them status in the knowledge organization .
A
well motivated and qualified support staff
is
essential for the efficiency
of
the organization and of the professionals. They are essential for servicing
the customers. They are also an important element of the “glue” that keeps
the knowledge organization
in
at least some kind of law and order.
In a leaderless knowledge organization , however skilful a typist or letter editor a secretary is, her or she will not be properly appreciated in a knowledge organization, because the only knowledge that counts, is knowledge relevant to the business idea. A computer wizard, in an advertising agency, may be on the in-house computer system , but will have no more power than a secretary. Experts are without honor in foreign countries.
The
situation is very different if the secretary works for an agency. In this
case, secretarial skills are integral to the business idea. Experienced
secretaries, in such firms, belong in the professional
square
of the organizational
matrix.
Support
staff in leaderless
knowledge
companies
have
to put up with bad bosses; perhaps former experts who don´t take their
management functions seriously, or are not qualified to perform them, or
discontented financial controllers, who feel left out of things.
How
do people who work for incompetent managers
,
in companiesthat do not
appreciate them, behave? How will the receptionist in the little tale (see The
Expert
above)
react? She probably gets together with the other support staff
,
forms groups of malcontents, and develops "underdog" symptoms. The
support staff are usually the only ones who take regular coffee-breaks - a
quarter of an hour each morning and afternoon, during which shop talk is
banned.
They
often make modest demands: "We want ergonomic chairs; we need radiation
filters for our computer screens; nobody ever tells us anything. Why can´t we
have an in-house bulletin?"
Even
in well managed knowledge companies
such
complaints are often justified. They are, indeed the least well-informed group
in the organization not because of any ill-will on the part of experts or
deliberate attempts to exclude them, but – as was discussed in the chapter
“What is information?” – simply because informing people is such an
inefficient way of communicating knowledge.
The “real” exchanges of information occur in conference rooms and corridors, in a language only the initiated understand. When two architects meet in a corridor, a thumbs-up gesture is enough for one to let the other know he has won the order they talked about earlier.
The gesture will trigger a number of connotations in the mind of the colleague, like “if we clinched the deal, I will have to reschedule tomorrow´s work plan”, “oh, I never believed we would, because we were competing against company XX and they are so strong in this field, did we price it too low?” “our competitiveness must have improved!”, etc.
The
gesture means nothing to the receptionist, who was not privy to the previous
dialogue.
Both get the same message, but only one is informed. For the receptionist to understand the full implications of the gesture she would have to be given a lengthy explanation of what went on in there behind closed doors, which will take too much time to do.
Years
of mismanagement in this area have left a potential for improvement in many
companies.,
Experts
are often “creative
personalities”,
with all that implies about themselves, and those around them. Such people are
not easy-going, uncontroversial types; that is not in the nature of the
creative personality. It is hardly their fault, if they do not fit into moulds
that were not made for them. Perhaps the fault lies not in them but in the
moulds instead?
But
one thing is abundantly clear: they do not make life easy for leaders
.
Theatrical directors, for example, are always accusing actors of being
neurotic, stupid, impossible to deal with, complicated, egotistical, insecure
or just plain weird. But they say good things, too, about their actors
;
that they have strong personalities, independence of mind, and artistic
creativity
.
Musicians
are
said to be unbalanced, and childish personalities, but also proud, and
self-assured. When musical and theatrical directors speak of musicians and
actors, they seem to speak of wilful children, they both love and detest. They
regard this as quite natural, make allowances for it and even take advantage
of it, when exercising their leadership.
There
are those who say creative
people
can´t be led; that it is impossible to manage companies composed of
insufferably egotistical, self-assured people, who do not know the meaning
of
the word "loyalty
".
But such companies must be led if they are to move in intended directions, and
not align themselves, like compass needles, within the force fields all
knowledge organizations
spontaneously
generate.
Leadership
involves two tasks: knowing
where
one wants to go, and persuading other people to go along.
The first task requires analysis of options and an ability to form a concrete picture of the goal, often called a “vision”. The second task requires rare communicative ability, empathy, and energy. ABB ´s chief executive, Percy Barnevik , claims the first takes 5-10% of his time and the second takes the rest.
I
believe altruism is an integral part of leadership. A good leader
´s
desire to lead springs, from a desire to better the lot of those he leads.
Leadership
also implies movement (guiding groups of people inparticular directions), and thus change. Simply put:
A
Leader
changes
- a Manager
preserves.
There
are many managers
who
are Leaders, but most are probably not.
Leaders
are important people in a knowledge organization
,
and there are often more than one. A Leader
must
be:
·motivated by a genuine desire to lead,
·inspired by a
vision of where the organization is heading,
·able
to
unite people in the effort to realize the vision,
·totally
emotionally committed to his or her task,
·action-oriented
Leaders
in successful knowledge organizations
are
usually former experts themselves. They belong to the same profession
as
the experts but they need not be outstanding professionals. It is like in an
orchestra or a theater. The conductor is seldom a virtuoso on any instrument,
and the director
may
not be a great actor, but professional
competence
is
essential, if the leader
is
to bring out the best in the performers.
Leadership
in a knowledge organization
is
largely a matter of giving experts creative
freedom
within a frame work
devised
by the Leader
.
To do that, Leaders must, of course, know enough about the field or fields of
specialization to be equipped to judge performance in relation to their
framework.
The
art of leading knowledge organizations
,
therefore, is the art of handling professionals, particularly the experts, and
the task of leadership, in such organizations, is:
to
provide the professionals with the conditions in which they can exercise
their creativity
for
the benefit of customers without letting the organization become entirely
dependent on them.
Leaders
who are not initiates of the profession
,
will be at the mercy of the key people, and powerless to get them to do
anything they do not agree with it.
In a knowledge company with a “leader ” not accepted by the experts the internal forces are given free rein, and the firm spontaneously aligns itself in accordance with its own internal power structure; in other words, the experts assume control. The result is that the official executives spend their time attending "important meetings", where they make equally important "decisions", while the rest of the company carries on, regardless.
The leaderless company will speedily turn not only inefficient, but a terrible and neurotic place for most people to work. A leaderless knowledge organization can often be identified by the degree of negative strains in the culture that were described above in the chapters above.
If an organization has no customers, because it´s an in-house department of a large organization, or because, like so many public-sector bureaucracies, it is shielded from the ultimate customer, other pressure groups move in to fill the vacuum. In some cases it may be the experts and in others, the trades unions.
In
many European countries for example, trades unions have taken advantage of the
power
vacuum
in leaderless
public
bureaucracies to become the most potent power centers.
All
true Leaders are deeply committed people. They love their work, they love to
lead, they love their profession
,
and they love the people they lead. Their emotional commitment rubs off on
their followers, whose greatest wish is often to share the Leader
´s
enthusiasm.
Recruiting new employees is the management´s most important investment decision, and perhaps its most important strategic tool. A knowledge company ´s recruitment of new staff can be liked to an industrial company´s investment in new machinery. By strategic recruitment, the management can both modify the company´s business idea and increase or reduce its competence and other intangible assets .
The problem of recruitment is accentuated by the fact that capable new recruits are so hard to find.This is actually a universal problem, not one peculiar to the peak of economic cycles. Even during the slump of the early nineties, many companies complained of the shortage of qualified personnel. It can thus be noted that many acquisitions of knowledge companies are actually made to get hold of the people in those companies, and are thus a form of recruitment.
Experts
and professionals with a potential are always in short supply and choose their
places of work with great care. Wise knowledge organizations
treat
them more like customers than employees because they have to compete with
other knowledge organizations to attract them in the same way they compete to
attract customers.
Professionals are so important for knowledge organizations that they can be said to compete on two markets. The normal customer market and the personnel market. What makes the competition particularly fierce is that they probably encounter the same competitors on both markets.
So
knowledge organization
managers
need
a strategy
for
“personnel markets”, just as much as they need strategy for customer markets. (I prefer the
term “personnel market”, to “labor market” because it is the
competence
,
not labor, that a knowledge organization seeks.)
Managers
need a clear idea of what people they want, and must be ready to compete for
them with other companies. They must therefore, have a plan for making their
company as attractive as possible to
the people it needs. They needa
“personnel strategy”, which must always, of course, be consistent within
the “normal” strategy.
When
you are interviewing potential recruits with a knowledge perspective
in
mind, your key selection criteria are the candidates´ knowledge or
qualifications, and their ability
,
to enhance their own knowledge, and that of the firm´s other employees. A
salary buys access to a person´s time, and his or her potential to enhance
the firm´s ability to increase the yield from all its knowledge. This means
that a person´s salary is less important than the knowledge he or she can
contribute, the revenues he or she can generate, and the customers he or she
can bring to the organization.
See
people as revenues – not costs.
There is something
special about performing, for an audience. Both conductors and directors
emphasize the importance of the audience. Some even claim the audience
participates in the performance, by releasing the creativity
of the players, and that when the magic works, players and
audience together can lift a performance to sublime heights. This moment of
tension
is what actors live for, and the same feeling is experienced
by a consultant when making an important pitch to a customer.
The moment of tension
plays a vital role in creative
problem-solving.
The results of creativity
are sporadic, and unpredictable, so leaders
who want their organizations to be creative, must be prepared
to put up with unpredictable lurches, first this way and then that, in moods
and emotions. And, because flops, and failure are inevitable, leaders of
creative people must learn
to see them as educational experiences. A friend once told,
after one of my less successful efforts:
Don´t look on it as a failure. You can always cite it as a cautionary tale.
Other examples of tension
are those generated by the power
play of professionals and managers
. One of the keys to
successful leadership of knowledge organizations
is to use these tensions as fuel for moving forwards.
The power of the organization lies primarily in the fact that its representatives control the purse-strings. The power of the professionals, on the other hand, derives from their own skills and (in the private sector) their ability to earn revenue for their companies.
The struggle between
creative
, and administrative forces
goes on in all organizations dependent on professionals. Theaters
and orchestras
are two extreme examples. Other organizations that display
similar traits range from film and TV companies
, to churches
, monasteries
and circuses
.
Although it is true that
the differences between managers
and professionals, administration and profession
, have the potential to
explode into literally disastrous conflict, skilful leaders
can channel these same tensions into controlled explosions of
creative
energy.
In the theater
, the administrative
organization headed by the manager
or chief executive is the visible one; what we regard as a
"normal" organization. But it is not the organizers who are
responsible for creative
production; that is the business of the actors and directors.
Both groups are necessary. If an organization consists entirely of
professionals, the only result is total chaos, and nothing is produced. As in
a battery, there is no spark, unless the two poles are bridged by a conductor
.
Enterprises such as theaters, orchestras and newspapers , that employ creative people, have developed various techniques for channeling tension constructively.
One way is to employ a
system
of tandem leadership
. A director, conductor, or
editor is appointed to run the "artistic" side, while a producer
, manager
, or publisher takes charge
of the administrative staff. This tandem leadership, with one leader
running the professionals and the other running the business,
would not have evolved in so many otherwise unrelated businesses, if it did
not have a lot going for it.
The combination
of the creative
genius of Charles Saatchi
and the business acumen of his younger brother Maurice,
propelled their advertising
agency to a position of short lived world leadership. When the
withdrawal of Charles Saatchi destroyed the intimacy of the link between the
creative and business leaderships, it was only a matter of time before the
business fell apart.
Hans Mellström
and Thord Wilkne
, the founders of WM-data,
the only remaining independent major computer consultancy firm in Sweden, are
a similar tandem leadership
couple.
If, as many observers
believe, all organizations are becoming more like knowledge organizations
, those who wish to enhance
the creativity
of their companies, should look closely at the tandem
leadership
systems that evolved in publishing
, and the performing arts
, which have much more
experience
in managing creative prima donnas.
Professionals work hard
and are often plagued by anxiety
. They have to turn in
first-rate creative
performances, year after year. They often lack security
of employment, they find it hard todevelop well-rounded personalities, they expose themselves to
public criticism, they compete fiercely with each other, they work in
constantly changing organizations, and their worth is only judged by what they
produce.
When there´s a lot of
anxiety
in the air, security
becomes an important tool of leadership. People feel secure if
they haveconfidence in their
ability
to cope with what lies ahead.
Security is thus, both the antithesis of, and the antidote to anxiety .
Artistic leaders can, deliberately or unwittingly, foster, or destroy this sense of security in players and actors. Swedish film director, Ingmar Bergman, has always been acutely aware of how vulnerable actors are, in their lonely encounters with their audiences. His method is to imbue with such confidence in their technical performance that they do not have to think about how to move.
Others, like the deceased German conductor, Herbert von Karajan , deliberately cultivate a state of insecurity, in order to maintain high levels of anxiety among their creative people.
Both methods seem to
foster creativity
, the latter hardly being
recommendable.
Professionals
loathe routine
tasks, and often succeed in persuading management to introduce
vertical specialization: the research lab. hires test-tube-shakers, for
example, or the consultancy recruits number-crunchers.
Observera
-Grey
tried to solve the problem, by making its low-status unit a
separate company. Another solution is simply to abolish all assistants,
replace them with professionals, formulate the business mission in such a way,
as to minimize the number ofroutine
tasks and then require the professionals to perform the
routine tasks that remain.
Yet
another solution is to use the system
that evolved in the traditional craft trades, and assign the
work according to age – employ young people, with potential, as
"journeymen" to undergo training, on low-status, routine
jobs. This is common practice in the accountancy and legal
professions
, and in the larger
management consultancy firms.
Jesus
´ disciples called Him,
Master
. Rising to be the master of
a trade is a dream of achievement probably as old as human history. The
earliest descriptions of the creative
career
can be found in the annals of medieval gilds, for in those
days it was the craftsmen
, and particularly the
smiths, who earned their living from knowledge.
Although the ranks of
“master
” and “journeyman
” are no longer formally
recognized, their equivalents survive in many modern professions
, particularly those in which
special skills must be cultivated, as in music. Thus, a student at a
conservatory is an “apprentice
”; a graduate from a
conservatory becomes a “journeyman”; securing a place with a famous
orchestra is the next step in a musical career
, and the few who develop
their skills to the utmost, will go on to be soloists and virtuosos and will
hold “master classes” for young prodigies.
Developing into experts
is the natural and preferred career
for professionals. Very few want to be executives, with
responsibility for managing others, such as head consultant. The reason why so
many professionals nevertheless welcome "promotion" to executive
rank, is that they regard it as a recognition of their worth.
The Leader
and soloists in an orchestra are musicians, first and foremost
but, as the “master
class” institution implies,virtuosity carries with it a responsibility for the artistic
development of others. The natural career
path for an expert
culminates, by virtue of his or her skill
and experience
, in the role of teacher, and
mentor. In an accountancy firm, for example, the Chartered Accountants wear
two hats as executive and teacher of junior colleagues. Experienced barristers
at the English "bar", have "pupils"; newly qualified
lawyers, to whom they impart their wisdom, and skill.
Many people and much
knowledge go to waste as a result of the stress to which the professional
is subjected. Creative people, who constantly stretch
themselves to the limits of their ability
, can be found in most walks
of life. They live, like Damocles, in constant greatness, and constant danger.
Their lives, like the lives of great artists and of virtuosos of all kinds,
can be tragically short. Their light shines brightly, for a while and is then
extinguished.
If goals are defined as narrowly, and in such concrete terms, as those of athletes, for example, the only road left open to those who have reached the top, leads downhill.
The research world is battle-ground for kudos. Recognition is unreliable, and arbitrary. Scientists can never be sure how their work will be judged by other scientists . What is hailed as a triumph by one group, is viciously attacked by another. The researcher usually stands alone, without allies. No holds are barred, in the struggle to secure resources for one´s own projects. The struggle is bitter, because the contestants are individuals, not institutions, as in the corporate world.
Psychosis and drug abuse
are common among artists, and public performers, but even more everyday
creative
professions
like journalism
, wear their practitioners
down.
A survey, by the Swedish
Central Bureau of Statistics, showed that journalists
die younger than other occupational groups. Of a total of
7,780 professionally active Swedish journalists alive in 1970, 514 had died
before the age of 65, a mortality rate 20% higher than average. The most
common cause of death is cancer but the death rate among journalists from
cirrhosis of the liver (usually caused by excessive drinking), is three times
the average for other occupational categories.
Almost all consultants and creative people go through one, or more crises during their careers. They come at intervals of 5-10 years, and can take any form. They afflict consultants, advertising people, architects, stockbrokers, physicians , and senior civil servants .
When matters have
progressed that far, it is usually too late to do anything about the problem.
The person may resign, and start over in a new firm, taking a customers, and
colleagues with him or her. The remarkable thing is that the new company is
often an instant success. Everyone works hard, assignments pour in, and
enthusiasm is sky high - until the next creative
crisis.
Various psychological
models have been constructed to explain this phenomenon. One common view is
that people go through a biological life cycle
. The phenomenon is not so
noticeable in "ordinary" companies, except at the top management
level. The management of a knowledge company
, on the other hand, must
live with the varying life cycles of its creative
people, and plan the whole organization accordingly.
People generally want to feel that they are building up their skills, and they generally want to gain experience by working on challenging projects with other skilled professionals. The young new employee is an apprentice , who probably costs more in supervision, training, and assistance than he or she earns for the company. On the other hand, these young people do not demand much in the way of encouragement, because the prospect of a rapid accumulation of skills provides all the motivation they need.
The ability of professional people to create value, increases rapidly as they acquire experience , but so do their costs, in the form of salaries, secretaries, fringe benefits and so on. The rapid growth of experience provides motivation in itself, but creative work is very demanding and, eventually, even the best professional will reach a creative plateau .
Management has three
options for dealing with such a plateau
:
1.
Do nothing – which will create an overpaid underperfoming
professional
..
2.
Fire the person - the cost cutting option. It is quick and simple. It
costs severance pay, but saves future losses.
3.
Find alternative employment for the plateaued
person. This is to see the person through “knowledge
perspective
”. People can create
revenues with their competence
in various ways; as a mentor, teacher, salesperson or
ambassador. As mentioned earlier, this is the natural culmination of the
professional
´s career
path.
The heads of most
companies choose the first or second option as a solution to the plateau
problem, very rarely the third.
Another common situation is that the professional recognizes he, or she is approaching a plateau , and blames it on the leadership of the company. This often leads to a personal crisis, and in extreme cases, to alcoholism or even suicide.
If a company´s
reputation has faded, or if it has not allowed its people to develop their
capabilities, or if it has become an organization in which employees feel
alienated, the mobile key people will be susceptible to offers from rival
firms, or sign-up with head-hunters.
The abilities of a firm´s employees are assets which, though
not owned by the company, can add lustre to its reputation if used properly.
Customers are aware of how the reputations of outstanding employees are
developing, so one way to boost the company´s reputation is to hire
"high flyers" who are visible and can solve problems more creatively
than customers expect.
The life cycles
and crises of key persons come as no surprise to successful
knowledge companies
, because they have already
planned their organization for such contingencies. They know the kinds of
professionals they have and the types of life cycles they are following. At
least three types of life cycles can be distinguished:
The superstar
´s
life cycle
is up like a rocket, and down like a stone. It is
characterized by a restless, almost explosive creativity
, often coupled with poor
judgement. Superstars can accomplish magnificent feats, but their spectacular
flops can make even the most hard-bitten executives tear their hair out in
desperation. Executives are usually thankful there are not too many superstars
in the firm. Two is often too many.
A statesman
´s
life cycle
is quite different. He gets steadily better, as the years go
by, and is very good at establishing personal
relations. The archetypes are people like Kissinger
, Thatcher, or Carter or
business leaders
like Marvin Bower
of McKinsey
and David Packard
of Hewlett-Packard. They do not turn in the most outstanding
professional
performance any more, but they are wise, and can be relied on to generate a growing amount of revenue,
because of their extensive networks. There are not many statesmen around
either, which is also a blessing, because they are self-centered and can
seldom tolerate rivals.
Figure
13
. A
professional
can
go through several life cycles
during
a career
.
The “normal”
professional
lies somewhere between these two extremes and is apt to tilt
one way, or the other. The real curves are not, of course, as smooth as those
in the Figure
13; they´re apt to resemble a series of small staircases piled on top
of each other, representing a recurring succession of cycles.
Physicians
, consultants, and art
directors
are usually at the peak of their profitability to the
organization just before, or at the top of their curve or staircase, so they
are liable to take the first downward step, just when the big assignment comes
in, and they are at their most indispensable.
A scary thought? Not
unless you think all careers must follow a pre-set pattern. It is at this
point that many managers
go wrong, because, in a business world still conditioned by
the outlook of the industrial age, they find it hard to grasp the notion that
the career
path of a professional
need not resemble a constantly ascending staircase, and
particularly not one that involves, as the industrial model prescribes, an
increasing responsibility for managing the work of subordinates.
In periods of crisis,
organizations often make the mistake of imposing recruitment
bans which saddle them with large groups of competent
, older employees with no
plans for their further development, and thus leaves no opportunities for
advancement for the “young Turks”. This causes dissatisfaction among old,
and young employees alike, and it is becoming commonplace in public sectors
throughout the Western world, as organizations respond in the least painful
way to demands for cost cuts.
Such organizations
acquire a "spare tyre" around their waists that creeps up a notch,
each year. This has a major impact on the organization´s business idea
because older people are not interested in doing the same things, as younger
people. Thus the business idea “ages”, too, which is very dangerous in the
long term, and profitability is also affected.
Skewed age distributions
can be contrived for good, strategic reasons, but they have negative and
unexpected consequences.
Thanks to rigorous cost
controls, a certain European bank
has managed to maintain an above-average profitability for
many years, but has, in the process
, created a staffing
situation that could cause it grief later on.
In 1975, the bank had five employees in the 25-29 age bracket for every one aged 55-59. Since it persisted with its policy for such a long time, and there has been little change in total numbers, the ratio has become reversed in 1997. The bank is now experiencing a serious shortage of young managers to groom for higher posts.
By disregarding the age
structure, the bank
´s management has set the
scene for a period of troublesome shifts, when a new generation of managers
has to be schooled and installed.
Maintaining the right age
structure is an important issue for the management of any company, but
particularly for knowledge companies
. The management must plan
recruitment
well ahead of time and regard each new hire as an investment
in the future, rather than a cost that reduces profitability. And one cannot
look to the Experts themselves, for ideas in this area; it is management´s
job.
Leaders with a knowledge
perspective
can see alternative career
patterns for professionals, often involving new experiences,
travel and changes of work, and often causing them to change tracks. The
successful knowledge organizations
know their professionals so well, they can plan this kind of
career for them.
This is not to say firms should offer life-time employment to everyone. Some firms deliberately build short life cycles into their strategy. The reason why so few tour guides are over 30, is that tour operators base their operations in sunshine resorts on young, extrovert, adventurous, low-paid people who will only stay for a few years. Cleaning firms run labor-intensive operations with very high rates of personnel turnover, by recruiting immigrants. Fast food restaurants do their recruiting primarily among high school students.
Lifetime employment is
the exception, even in consultancy firms. Most aim to keep new recruits for an
average of 10 years (equivalent to an annual personnel turnover rate of 10%).
The large management consultancy firms and accounting firms often adopt the
“up-or-out” principle made famous by McKinsey
, thereby maintaining a
turnover of around 10%.
Many of the big firms see an advantage in letting consultants come, and go. An employment period of 5-7 years may be agreed on at the time of hiring. That way, the management avoids the responsibility for coping with the employee´s many crises and yo-yo life cycle . If management gets its timing right, it can employee people just when they do their best work and so earn the maximum of money, with the minimum of effort.
Managers of advertising agencies are used to “creatives”, who flit from agency to agency, seeking the next creative kick or life cycle . That life cycle crises have nothing to do with a shortage of money is evidenced by the fact that they occur in the financial markets, too, where the most avaricious professionals of all work.
What can knowledge
companies
do, to avoid these problems with their professionals? The
first step for managers
is to decide whatkind
of careers to offer and the younger the professional
, the more important this is.
Short, medium or lifetime careers are all feasible, as long as managers know
what they want, and adapt the company accordingly. Their chosen strategy
becomes part of the knowledge company´s personnel idea.
Unfortunately, many knowledge companies , especially new ones, ruthlessly exploit their best creative talent, without being aware they are doing so. It is all too easy to overextend people at the top of a life-cycle curve; the management works them hard in production and forgets their need for further development. After a very short time, often no more than a year or so, in extreme cases, the expert collapses. It may not be a creative crisis; just plain fatigue can cause harsh words to be spoken and irrevocable decisions to be made.
It does not take much
creativity
to find solutions that avoid crises. Instead of high salaries,
that are just taxed away in any case, a better inducement for a professional
may be a "further education
account", or a part-time research job, or a writing job,
or maybe a course in painting.
Big
customers are status symbols for an accountancy firm, and becoming a
"plc" auditor is thus a major career
milestone. So young associates compete to work with senior
partners, in the hope of eventually "going public". The trouble is,
auditing the books of a big public limited company is not particularly
exciting; the work consists mainly of simply checking figuresand ploughing through voucher files, and computer print-outs.
It
is actually more educating to audit small companies, because the problems are
more varied and challenging but, given a choice, most young accountants
go for status. How can this problem be solved?
The
international Deloitte-Touche
Group of accountancy firms has a mixed bag of companies, both
public and private, as its customers. To persuade young accountants
to take an interest in the problems of small firms, a special
small business unit was established in the US, as a separate profit center.
After a while, the small business unit could show it was producing more added
value, and more profit, than the "public" practice. The status of
the small business auditors was thus enhanced, and as a result of a
profit-sharing scheme, they were paid at least as much as those working for
the major corporations.
Many knowledge companies
identify and deliberately exploit the “chemistry
” between their key people
and customers, as a part of their marketing strategy, because the better the
relationships, the easier it is to win new assignments.
This makes the knowledge of such persons so valuable, that it is very hard to price, which immediately raises the delicate issue of rewards.
Fortunately, according to my experience professionals are generally not motivated by money. Some readers might argue against this assertation, and there are certainly exceptions in some industries and some geographic areas.
Professionals and experts
in particular are best motivated by intangible rewards, that is learning
opportunities, opportunities to be more independent etc. The list in the
chapter above Experts – a Law unto himself, can be used for ideas.
Also when professionals
seem to be motivated by money like some in the finance industry and in Silicon
Valley, one must recognize that money usually is the substitute for something
intangible, like prestige or independence.
As regards money rewards,
how much should a key person be paid? I believe the best way to answer this
question, is to think in terms of value
added, and to pay key people a reasonable proportion of the value they
create. (In any event, they should not be paid a fixed salary).
Most
heads of knowledge companies
can
identify a few key people who they feel are crucial to the company´s
survival: skilled
and
experienced experts who solve the most intricate problems, bring in the
biggest fees and have the widest network of contacts outside the organization.
Most of the key people are very skilled professionals. In this book they are
called “Experts”.
The
company´s whole business can also often be traced back to just such an Expert
.
In smaller organizations he or she has the greatest professional
expertise
and
the most experience
,
and is therefore often also the undisputed managing director, entrepreneur,
marketing manager
and
personnel manager all in one.
It
is the professional
competence
of
such key people and their ability
to
generate revenue, that determines whether or not aknowledge company
prospers.
They are a free resource, because compared to the income they generate, they
cost nothing.
The
dependency is clearest in consultancy firms, because the relationship
between
client and consultant, is often closer than that between consultant and the
consultancy. Consultants spend most of their time with clients and build close
working relationships with them. Moreover, consultants receive more of the
praise and approbation, which is the spice of life for creative
people,
from clients than from their own companies, for the simple reason that the
latter often have only a vague idea of what they have been doing.
The
reduction of that dependence is one of the chief executive´s main tasks. The
degree of dependence obviously varies with the type of business. The link
between the business and key people can never be entirely eliminated in
knowledge companies
,
because the work itself is a creative
process
,
in which individuals are deeply involved but in most service companies there
is considerable scope for reducing dependency.
Improving
the knowledge transfer ability
of
the organization has the advantage of both leveraging knowledge and reducing
dependence.
There
are four "players" in the knowledge company
power
game: the Professional, the Manager
, the Support staff, and
the Leader
.
The
most highly skilled
professionals, the experts are genuine income generators. They
cost nothing. They are characterized by a dedication to their job and their
profession
, a love of solving
problems and a dislike of routine
. The task of management is
to provide the professionals with conditions in which they can be creative
, for the benefit of
customers, without letting the organization become dependent on them.
Developing into the role of expert is a natural career for professionals.
Few want to be responsible for managing people.
Career development for a professional follows a life cycle pattern. Maintaining the “right” age mix is an important task for knowledge company managers to avoid plateaus.
Managers
are, in many ways, the opposite of professionals. They arecapable of managing and organizing, and have learned to work through
other people, and enjoy doing so.
The role of Support staff is to assist professionals, and managers. They have no special qualifications of their own to give them status in a knowledge organization.
Leaders are people others want to follow, and are informally "appointed" by their followers. Leadership involves two tasks - deciding where you want to go, and persuading others to go along. The most successful Leaders of knowledge organizations are usually ex-experts, but rarely the most outstanding.
The
tension between professionals, and managers is a powerful force in knowledge
organizations. The tension can manifest itself in creativity, or a balance
terror. Some successful companies employ a dual, or “tandem” leadership
system to cater for this.
Knowledge
organization managers need a strategy for “personnel markets”, just as
much as they need strategy for customer markets.
Professionals
work hard and are often plagued by anxiety. Giving them a sense of security
is often an effective management tool.Avoid the vertical division of labour.
Recruit junior professionals as assistents instead of support staff.